I've recently added light probes to the engine. Their colors can be baked directly inside the editor, and at runtime, the GPU blends the nearest probes to drive the ambient lighting in our PBR shading. It’s still early in development, but the difference is already nicer: Since the game takes place in a big handcrafted labyrinth, we needed tools that make editing it fast and flexible. I wanted the shapes to feel sinuous, messy, and a bit chaotic, so smooth curves were a must. The tricky part was keeping the vertex count under control — the number of samples can explode quickly — so now the editor automatically adjusts the sample count based on how sharp each corner is. It’s still tunable, but it already works great in practice. We also have a runtime profiler, which is super handy to keep an eye on how the important parts of the code perform. We also have a terrain editor built right into the tools. Here’s a quick look at the painting workflow, it uses a large blend map to mix multiple albedo and normal textures smoothly: Here’s the current game menu. It takes place in a small dedicated scene, centered around our Pierre Wissant stone, a symbol of the mysterious labyrinth that defines the world: Finally, here are a few screenshots that capture the overall mood and atmosphere of the game: